For Kings and Planets: A Novel

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All these gave Merlyn an excellent character. At once there was an enormous mulberry growing in the middle of the courtyard, with its luscious blue fruits ready to patter down. This was all the more remarkable, since mulberries only became popular in the days of Cromwell. Before they could turn round, the copper sky of summer had assumed a cold and lowering bronze, while the biggest white flakes that ever were seen were floating about them and settling on the battlements.

An inch of snow had fallen before they could speak, and all were trembling with the wintry blast. Sir Ector's nose was blue, and had an icicle hanging from the end of it, while all except Merlyn had a ledge of snow upon their shoulders. Merlyn stood in the middle, holding his umbrella high because of the owl. I'm sure you'll make an excellent tutor for teachin' these boys. The snow stopped immediately and the sun came out—"Enough to give a body a pewmonia," said the nurse, "or to frighten the elastic commissioners"—while Merlyn folded up his umbrella and handed it back to the air, which received it.

Wonders never cease. Thy sorrow will come from thine own mouth. At this everybody felt uncomfortable, and Kay, instead of flying into his usual passion, hung his head. He was not at all an unpleasant person really, but clever, quick, proud, passionate and ambitious. He was one of those people who would be neither a follower nor a leader, but only an aspiring heart, impatient in the failing body which imprisoned it.

Merlyn repented of his rudeness at once. He made a little silver hunting-knife come out of the air, which he gave him to put things right. The knob of the handle was made of the skull of a stoat, oiled and polished like ivory, and Kay loved it. It was more like a town or a village than any one man's home, and indeed it was the village during times of danger: for this part of the story is one which deals with troubled times.

Whenever there was a raid or an invasion by some neighbouring tyrant, everybody on the estate hurried into the castle, driving the beasts before them into the courts, and there they remained until the danger was over. The wattle and daub cottages nearly always got burned, and had to be rebuilt afterwards with much profanity.

For this reason it was not worth while to have a village church, as it would constantly be having to be replaced. The villagers went to church in the chapel of the castle. They wore their best clothes and trooped up the street with their most respectable gait on Sundays, looking with vague and dignified looks in all directions, as if reluctant to disclose their destination, and on week-days they came to Mass and vespers in their ordinary clothes, walking much more cheerfully. Everybody went to church in those days, and liked it.

The Castle of the Forest Sauvage is still standing, and you can see its lovely ruined walls with ivy on them, standing broached to the sun and wind. Some lizards live there now, and the starving sparrows keep warm on winter nights in the ivy, and a barn owl drives it methodically, hovering outside the frightened congregations and beating the ivy with its wings, to make them fly out. Most of the curtain wall is down, though you can trace the foundations of the twelve round towers which guarded it. They were round, and stuck out from the wall into the moat, so that the archers could shoot in all directions and command every part of the wall.

Inside the towers there are circular stairs. These go round and round a central column, and this column is pierced with holes for shooting arrows. Even if the enemy had got inside the curtain wall and fought their way into the bottom of the towers, the defenders could retreat up the bends of the stairs and shoot at those who followed them up, inside, through these slits. The stone part of the drawbridge with its barbican and the bartizans of the gatehouse are in good repair. These have many ingenious arrangements.

Even if enemies got over the wooden bridge, which was pulled up so that they could not, there was a portcullis weighed with an enormous log which would squash them flat and pin them down as well. There was a large hidden trap-door in the floor of the barbican, which would let them into the moat after all.

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At the other end of the barbican there was another portcullis, so that they could be trapped between the two and annihilated from above, while the bartizans, or hanging turrets, had holes in their floors through which the defenders could drop things on their heads.

Finally, inside the gatehouse, there was a neat little hole in the middle of the vaulted ceiling, which had painted tracery and bosses. This hole led to the room above, where there was a big cauldrom, for boiling lead or oil. So much for the outer defences. Once you were inside the curtain wall, you found yourself in a kind of wide alley-way, probably full of frightened sheep, with another complete castle in front of you.

This was the inner shell-keep, with its eight enormous round towers which still stand. It is lovely to climb the highest of them and to lie there looking out toward the Marches, from which some of these old dangers came, with nothing but the sun above you and the little tourists trotting about below, quite regardless of arrows and boiling oil.

Think for how many centuries that unconquerable tower has withstood. It has changed hands by secession often, by siege once, by treachery twice, but never by assault. On this tower the look-out hoved. From here he kept the guard over the blue woods towards Wales. His clean old bones lie beneath the floor of the chapel now, so you must keep it for him.

If you look down and are not frightened of heights the Society for the Preservation of This and That have put up some excellent railings to preserve you from tumbling over , you can see the whole anatomy of the inner court laid out beneath you like a map. You can see the chapel, now quite open to its god, and the windows of the great hall with the solar over it.

You can see the shafts of the huge chimneys and how cunningly the side flues were contrived to enter them, and the little private closets now public, and the enormous kitchen. If you are a sensible person, you will spend days there, possibly weeks, working out for yourself by detection which were the stables, which the mews, where were the cow byres, the armoury, the lofts, the well, the smithy, the kennel, the soldiers' quarters, the priest's room, and my lord's and lady's chambers.

Then it will all grow about you again. The little people—they were smaller than we are, and it would be a job for most of us to get inside the few bits of their armour and old gloves that remain—will hurry about in the sunshine, the sheep will baa as they always did, and perhaps from Wales there will come the ffff-putt of the triple-feathered arrow which looks as if it had never moved. This place was, of course, a paradise for a boy to be in.

The Wart ran about it like a rabbit in its own complicated labyrinth. He knew everything, everywhere, all the special smells, good climbs, soft lairs, secret hiding-places, jumps, slides, nooks, larders and blisses. For every season he had the best place, like a cat, and he yelled and ran and fought and upset people and snoozed and daydreamed and pretended he was a Knight, without stopping.

Just now he was in the kennel. People in those days had rather different ideas about the training of dogs to what we have today. They did it more by love than strictness. Imagine a modern M. He was a sort of head hound, and it was his business to take them out every day for walks, to pull thorns out of their feet, keep cankers out of their ears, bind the smaller bones that got dislocated, dose them for worms, isolate and nurse them in distemper, arbitrate in their quarrels and to sleep curled up among them at night.

If one more learned quotation may be excused, this is how, later on, the Duke of York who was killed at Agincourt described such a boy in his Master of Game: "Also I will teach the child to lead out the hounds to scombre twice in the day in the morning and in the evening, so that the sun be up, especially in winter.

Then should he let them run and play long in a meadow in the sun, and then comb every hound after the other, and wipe them with a great wisp of straw, and this he shall do every morning. And then he shall lead them into some fair place where tender grass grows as corn and other things, that therewith they may feed themselves as it is medicine for them.

Sir Ector's dog boy was none other than the one who had his nose bitten off by the terrible Wat. Not having a nose like a human, and being, moreover, subjected to stone-throwing by the other village children, he had become more comfortable with animals. He talked to them, not in baby-talk like a maiden lady, but correctly in their own growls and barks. They all loved him very much, and revered him for taking thorns out of their toes, and came to him with their troubles at once. He always understood immediately what was wrong, and generally he could put it right.

It was nice for the dogs to have their god with them, in visible form. The Wart was fond of the Dog Boy, and thought him very clever to be able to do these things with animals—for he could make them do almost anything just by moving his hands—while the Dog Boy loved the Wart in much the same way as his dogs loved him, and thought the Wart was almost holy because he could read and write.

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They spent much of their time together, rolling about with the dogs in the kennel. The kennel was on the ground floor, near the mews, with a loft above it, so that it should be cool in summer and warm in winter. The hounds were alaunts, gaze-hounds, lymers and braches. The Wart's own special one was called Cavall, and he happened to be licking Cavall's nose—not the other way about—when Merlyn came in and found him. After all, God made the creature's nose just as well as he made your tongue. The Wart did not know what Merlyn was talking about, but he liked him to talk. He did not like the grown-ups who talked down to him, but the ones who went on talking in their usual way, leaving him to leap along in their wake, jumping at meanings, guessing, clutching at known words, and chuckling at complicated jokes as they suddenly dawned.

He had the glee of the porpoise then, pouring and leaping through strange seas. The Wart's heart sank at this. His tutor had been there a month, and it was now August, but they had done no lessons so far. Now he suddenly remembered that this was what Merlyn was for, and he thought with dread of Summulae Logicales and the filthy astrolabe. He knew that it had to be borne, however, and got up obediently enough, after giving Cavall a last reluctant pat.

He thought that it might not be so bad with Merlyn, who might be able to make even the old Organon interesting, particularly if he would do some magic. They went into the courtyard, into a sun so burning that the heat of hay-making seemed to have been nothing. It was baking. The thunder-clouds which usually go with hot weather were there, high columns of cumulus with glaring edges, but there was not going to be any thunder.

It was too hot even for that. They crossed the courtyard, having almost to take deep breaths before they darted across it, as if they were going quickly through an oven. The shade of the gatehouse was cool, but the barbican, with its close walls, was hottest of all.

In one last dash across the desert they had reached the drawbridge—could Merlyn have guessed what he was thinking? It was the season of water-lilies. If Sir Ector had not kept one section free of them for the boys' bathing, all the water would have been covered.

As it was, about twenty yards on each side of the bridge were cut each year, and one could dive in from the bridge itself. The moat was deep. It was used as a stew, so that the inhabitants of the castle could have fish on Fridays, and for this reason the architects had been careful not to let the drains and sewers run into it.

It was stocked with fish every year. It was almost too hot to think about this, but the Wart stared down into the cool amber depths where a school of small perch were aimlessly hanging about. Merlyn took off his hat, raised his staff of lignum vitae politely in the air, and said slowly, "Snylrem stnemilpmoc ot enutpen dna lliw eh yldnik tpecca siht yob sa a hsif?

Immediately there was a loud blowing of sea-shells, conches and so forth, and a stout, jolly-looking gentleman appeared seated on a well-blown-up cloud above the battlements. He had an anchor tattooed on his stomach and a handsome mermaid with Mabel written under her on his chest. He ejected a quid of tobacco, nodded affably to Merlyn and pointed his trident at the Wart. The Wart found he had no clothes on. He found that he had tumbled off the drawbridge, landing with a smack on his side in the water.

He found that the moat and the bridge had grown hundreds of times bigger. He knew that he was turning into a fish. But in future you will have to go by yourself. Education is experience, and the essence of experience is self-reliance. The Wart found it difficult to be a new kind of creature. It was no good trying to swim like a human being, for it made him go corkscrew and much too slowly. He did not know how to swim like a fish. Never mind about the fins to begin with. The Wart's legs had fused together into his backbone and his feet and toes had become a tail fin. His arms had become two more fins—of a delicate pink—and he had sprouted some more somewhere about his stomach.

His head faced over his shoulder, so that when he bent in the middle his toes were moving toward his ear instead of toward his forehead. He was a beautiful olive-green, with rather scratchy plate-armour all over him, and dark bands down his sides.

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He was not sure which were his sides and which were his back and front, but what now appeared to be his belly had an attractive whitish colour, while his back was armed with a splendid great fin that could be erected for war and had spikes in it. He did jack-knives as the tench directed and found that he was swimming vertically downward into the mud. You are living in two planes now, not one. The Wart found that he could keep more or less level by altering the inclination of his arm fins and the ones on his stomach. He swam feebly off, enjoying himself very much.

The Wart returned to his tutor in a series of zig-zags and remarked, "I do not seem to keep quite straight. You swim as if you were a boy, bending at the hips. Try doing your jack-knives right from the neck downward, and move your body exactly the same amount to the right as you are going to move it to the left. Put your back into it. Wart gave two terrific kicks and vanished altogether in a clump of mare's tail several yards away.

He undulated back toward the voice in one terrific shove, to show off. Without apparent exertion of any kind it swam off backward under a water-lily. Without apparent exertion—but the Wart, who was an enterprising learner, had been watching the slightest movement of its fins. He moved his own fins anti-clockwise, gave the tip of his tail a cunning flick, and was lying alongside the tench.

The Wart was on an even keel now, and reasonably able to move about. He had leisure to look at the extraordinary universe into which the tattooed gentleman's trident had plunged him. It was different from the universe to which he had been accustomed. For one thing, the heaven or sky above him was now a perfect circle. The horizon had closed to this. In order to imagine yourself into the Wart's position, you would have to picture a round horizon, a few inches about your head, instead of the flat horizon which you usually see.

Under this horizon of air you would have to imagine another horizon of under water, spherical and practically upside down—for the surface of the water acted partly as a mirror to what was below it. It is difficult to imagine. What makes it a great deal more difficult to imagine is that everything which human beings would consider to be above the water level was fringed with all the colours of the spectrum.

For instance, if you had happened to be fishing for the Wart, he would have seen you, at the rim of the tea saucer which was the upper air to him, not as one person waving a fishing-rod, but as seven people, whose outlines were red, orange, yellow, green, blue, indigo and violet, all waving the same rod whose colours were as varied.

In fact, you would have been a rainbow man to him, a beacon of flashing and radiating colours, which ran into one another and had rays all about. You would have burned upon the water like Cleopatra in the poem. The next most lovely thing was that the Wart had no weight. He was not earth-bound any more and did not have to plod along on a flat surface, pressed down by gravity and the weight of the atmosphere.

He could do what men have always wanted to do, that is, fly. There is practically no difference between flying in the water and flying in the air. The best of it was that he did not have to fly in a machine, by pulling levers and sitting still, but could do it with his own body. It was like the dreams people have. Just as they were going to swim off on their tour of inspection, a timid young roach appeared from between two waving bottle bushes of mare's tail and hung about, looking pale with agitation.

It looked at them with big, apprehensive eyes and evidently wanted something, but could not make up its mind. It's our d-d-d-dear Mamma, who w-w-w-will swim a-a-all the time upside d-d-d-down, and she d-d-d-does look so horrible and s-s-s-speaks so strange, that we r-r-r-really thought she ought to have a d-d-d-doctor, if it w-w-w-wouldn't be too much? C-C-C-Clara says to say so. Sir, if you s-s-s-see w-w-w-what I m-m-m-mean?

Here the poor roach began fizzing so much, what with its stammer and its tearful disposition, that it became quite inarticulate and could only stare at Merlyn with mournful eyes. The roach's Mamma was lying on her back as he had described. She was squinting, had folded her fins on her chest, and every now and then she blew a bubble. All her children were gathered round her in a circle, and every time she blew they nudged each other and gasped. She had a seraphic smile on her face. Roach today? He patted the young roaches on the head and advanced with stately motions toward his patient.

It should perhaps be mentioned that Merlyn was a ponderous, deep-beamed fish of about five pounds, leather coloured, with small scales, adipose in his fins, rather slimy, and having a bright marigold eye—a respectable figure. Roach held out a languid fin, sighed emphatically and said, "Ah, doctor, so you've come at last? Then he told everybody to close their eyes—the Wart peeped—and began to swim round the invalid in a slow and stately dance.

As he danced he sang. His song was this:. At the end of the song he was swimming round his patient so close that he actually touched her, stroking his brown smooth-scaled flanks against her more rattly pale ones. Perhaps he was healing her with his slime—for all the fishes are said to go to the Tench for medicine—or perhaps it was by touch or massage or hypnotism.

In any case, Mrs. Roach suddenly stopped squinting, turned the right way up, and said, "Oh, doctor, dear doctor, I feel I could eat a little lob-worm now. I shall give you a prescription for a strong broth of algae every two hours, Mrs. We must build up your strength, you know. After all, Rome was not built in a day. Then he patted all the little roaches once more, told them to grow up into brave little fish, and swam off with an air of importance into the gloom. As he swam, he puffed his mouth in and out.

They swam along, Merlyn occasionally advising him to put his back into it when he forgot, and the strange under-water world began to dawn about them, deliciously cool after the heat of the upper air. The great forests of weed were delicately traced, and in them there hung motionless many schools of sticklebacks learning to do their physical exercises in strict unison. On the word One they all lay still; at Two they faced about; at Three they all shot together into a cone, whose apex was a bit of something to eat. Water snails slowly ambled about on the stems of the lilies or under their leaves, while fresh-water mussels lay on the bottom doing nothing in particular.

Their flesh was salmon pink, like a very good strawberry cream ice. The small congregations of perch—it was a strange thing, but all the bigger fish seemed to have hidden themselves—had delicate circulations, so that they blushed or grew pale as easily as a lady in a Victorian novel. Only their blush was a deep olive colour, and it was the blush of rage. Whenever Merlyn and his companion swam past them, they raised their spiky dorsal fins in menace, and only lowered them when they saw that Merlyn was a tench.

The black bars on their sides made them look as if they had been grilled, and these also could become darker or lighter. Once the two travellers passed under a swan. The white creature floated above like a Zeppelin, all indistinct except what was under the water. The latter part was quite clear and showed that the swan was floating slightly on one side with one leg cocked over its back.

It can only paddle with one leg, and the other side of it is hunched. Don't you see that this place is exactly like the forest which you had to come through to find me? The Wart looked, and at first saw nothing. Then he saw a small translucent shape hanging motionless near the surface. It was just outside the shadow of a water-lily and was evidently enjoying the sun. It was a baby pike, absolutely rigid and probably asleep, and it looked like a pipe stem or a sea-horse stretched out flat. It would be a brigand when it grew up.

As a doctor I have immunity, and I dare say he will respect you as my companion as well—but you had better keep your tail bent in case he is feeling tyrannical. Old Jack they call him, and some call him Black Peter, but for the most part they do not mention him by name at all. They just call him Mr. You will see what it is to be a king. The Wart began to hang behind his conductor a little, and perhaps it was as well that he did, for they were almost on top of their destination before he noticed it.

When he did see the old despot he started back in horror, for Mr. The great body, shadowy and almost invisible among the stems, ended in a face which had been ravaged by all the passions of an absolute monarch—by cruelty, sorrow, age, pride, selfishness, loneliness and thoughts too strong for individual brains.

There he hung or hoved, his vast ironic mouth permanently drawn downward in a kind of melancholy, his lean clean-shaven chops giving him an American expression, like that of Uncle Sam. He was remorseless, disillusioned, logical, predatory, fierce, pitiless—but his great jewel of an eye was that of a stricken deer, large, fearful, sensitive and full of griefs. He made no movement, but looked upon them with his bitter eye.

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Pleasure is the bait laid down by the same. There is only power. Power is of the individual mind, but the mind's power is not enough. Power of the body decides everything in the end, and only Might is Right. I think you ought to go away really almost at once, in case my disillusioned mouth should suddenly determine to introduce you to my great gills, which have teeth in them also. Yes, I really think you might be wise to go away this moment. Indeed, I think you ought to put your back into it. And so, a long farewell to all my greatness.

The Wart had found himself almost hypnotized by the big words, and hardly noticed that the tight mouth was coming closer and closer to him. It came imperceptibly, as the lecture distracted his attention, and suddenly it was looming within an inch of his nose. On the last sentence it opened, horrible and vast, the skin stretching ravenously from bone to bone and tooth to tooth. Inside there seemed to be nothing but teeth, sharp teeth like thorns in rows and ridges everywhere, like the nails in labourers' boots, and it was only at the last second that he was able to regain his own will, to pull himself together, to recollect his instructions and to escape.

All those teeth clashed behind him at the tip of his tail, as he gave the heartiest jack-knife he had ever given. In a second he was on dry land once again, standing beside Merlyn on the piping drawbridge, panting in his stuffy clothes. One Thursday afternoon the boys were doing their archery as usual.

There were two straw targets fifty yards apart, and when they had shot their arrows at one, they had only to go to it, collect them, and shoot back at the other, after facing about. It was still the loveliest summer weather, and there had been chicken for dinner, so that Merlyn had gone off to the edge of their shooting-ground and sat down under a tree. What with the warmth and the chicken and the cream he had poured over his pudding and the continual repassing of the boys and the tock of the arrows in the targets—which was as sleepy to listen to as the noise of a lawn-mower or of a village cricket match—and what with the dance of the egg-shaped sunspots between the leaves of his tree, the aged man was soon fast asleep.

Archery was a serious occupation in those days. It had not yet been turned over to Indians and small boys. When you were shooting badly you got into a bad temper, just as the wealthy pheasant shooters do today. Kay was shooting badly. He was trying too hard and plucking on his loose, instead of leaving it to the bow. Let's have a shot at the popinjay. They left the targets and had several shots at the popinjay—which was a large, bright-coloured artificial bird stuck on the top of a stick, like a parrot—and Kay missed these also. First he had the feeling of, "Well, I will hit the filthy thing, even if I have to go without my tea until I do it.

What they called Rovers, consisted in going for a walk with their bows and shooting one arrow each at any agreed mark which they came across. Sometimes it would be a molehill, sometimes a clump of rushes, sometimes a big thistle almost at their feet. They varied the distance at which they chose these objects, sometimes picking a target as much as yards away—which was about as far as these boys' bows could carry—and sometimes having to aim actually below a close thistle because the arrow always leaps up a foot or two as it leaves the bow.

They counted five for a hit, and one if the arrow was within a bow's length, and they added up their scores at the end. On this Thursday they chose their targets wisely. Besides, the grass of the big field had been lately cut, so that they never had to search for their arrows for long, which nearly always happens, as in golf, if you shoot ill-advisedly near hedges or in rough places.

The result was that they strayed further than usual and found themselves near the edge of the savage forest where Cully had been lost. It would be more fun than shooting at these hummocks. They did this. They chose two trees about a hundred yards apart, and each boy stood under one of them waiting for the conies to come out again. They stood still, with their bows already raised and arrows fitted, so that they would make the least possible movement to disturb the creatures when they did appear.

It was not difficult for either of them to stand thus, for the first test which they had had to pass in archery was standing with the bow at arm's length for half an hour.

They had six arrows each and would be able to fire and mark them all before they needed to frighten the rabbits back by walking about to collect. An arrow does not make enough noise to upset more than the particular rabbit that it is shot at. At the fifth shot Kay was lucky. He allowed just the right amount for wind and distance, and his point took a young coney square in the head. It had been standing up on end to look at him, wondering what he was. It was the first rabbit they had ever hit, and luckily they had killed it dead.

When they had carefully gutted it with the hunting knife which Merlyn had given—to keep it fresh—and passed one of its hind legs through the other at the hock, for convenience in carrying, the two boys prepared to go home with their prize. But before they unstrung their bows they used to observe a ceremony. Every Thursday afternoon, after the last serious arrow had been shot, they were allowed to fit one more nock to their strings and to shoot the arrow straight up into the air.

It was partly a gesture of farewell, partly of triumph, and it was beautiful. They did it now as salute to their first prey. The Wart watched his arrow go up. The sun was already westing toward evening, and the trees where they were had plunged them into a partial shade. So, as the arrow topped the trees and climbed into sunlight, it began to burn against the evening like the sun itself.

Up and up it went, not weaving as it would have done with a snatching loose, but soaring, swimming, aspiring to heaven, steady, golden and superb. Just as it had spent its force, just as its ambition had been dimmed by destiny and it was preparing to faint, to turn over, to pour back into the bosom of its mother earth, a portent happened.

A gore-crow came flapping wearily before the approaching night. It came, it did not waver, it took the arrow. It flew away, heavy and hoisting, with the arrow in its beak. Kay was frightened by this, but the Wart was furious. He had loved his arrow's movement, its burning ambition in the sunlight, and, besides, it was his best one. It was the only one which was perfectly balanced, sharp, tight-feathered, clean-nocked, and neither warped nor scraped. Tilting and horsemanship had two afternoons a week, because they were the most important branches of a gentleman's education in those days.

This made Merlyn so furious that he gave Sir Ector rheumatism two nights running before he relented. Tilting was a great art and needed practice. When two knights jousted they held their lances in their right hands, but they directed their horses at one another so that each man had his opponent on his near side. The base of the lance, in fact, was held on the opposite side of the body to the side at which the enemy was charging.

This seems rather inside out to anybody who is in the habit, say, of opening gates with a hunting-crop, but it had its reasons. For one thing, it meant that the shield was on the left arm, so that the opponents charged shield to shield, fully covered. It also meant that a man could be unhorsed with the side or edge of the lance, in a kind of horizontal swipe, if you did not feel sure of hitting him with your point. This was the humblest or least skilful blow in jousting.

A good jouster, like Lancelot or Tristram, always used the blow of the point, because, although it was liable to miss in unskilful hands, it made contact sooner. If one knight charged with his lance held rigidly sideways, to sweep his opponent out of the saddle, the other knight with his lance held directly forward would knock him down a lance length before the sweep came into effect.

Then there was how to hold the lance for the point stroke. It was no good crouching in the saddle and clutching it in a rigid grip preparatory to the great shock, for if you held it inflexibly like this its point bucked up and down to every movement of your thundering mount and you were practically certain to miss the aim. On the contrary, you had to sit loosely in the saddle with the lance easy and balanced against the horse's motion.

It was not until the actual moment of striking that you clamped your knees into the horse's sides, threw your weight forward in your seat, clutched the lance with the whole hand instead of with the finger and thumb, and hugged your right elbow to your side to support the butt. There was the size of the spear. Obviously a man with a spear one hundred yards long would strike down an opponent with a spear of ten or twelve feet before the latter came anywhere near him.

But it would have been impossible to make a spear one hundred yards long and, if made, impossible to carry it. The jouster had to find out the greatest length which he could manage with the greatest speed, and he had to stick to that. Sir Lancelot, who came some time after this part of the story, had several sizes of spear and would call for his Great Spear or his Lesser Spear as occasion demanded.

There were the places on which the enemy should be hit. In the armoury of The Castle of the Forest Sauvage there was a big picture of a knight in armour with circles round his vulnerable points. These varied with the style of armour, so that you had to study your opponent before the charge and select a point. The good armourers—the best lived at Warrington, and still live near there—were careful to make all the forward or entering sides of their suits convex, so that the spear point glanced off them. Curiously enough, the shields of Gothic suits were more inclined to be concave.

It was better that a spear point should stay on the shield, rather than glance off upward or downward, and perhaps hit a more vulnerable point of the body armour. The best place of all for hitting people was on the very crest of the tilting helm, that is, if the person in question were vain enough to have a large metal crest in whose folds and ornaments the point would find a ready lodging. Many were vain enough to have these armorial crests, with bears and dragons or even ships or castles on them, but Sir Lancelot always contented himself with a bare helmet, or a bunch of feathers which would not hold spears, or, on one occasion, a soft lady's sleeve.

It would take too long to go into all the interesting details of proper tilting which the boys had to learn, for in those days you had to be a master of your craft from the bottom upward. You had to know what wood was best for spears, and why, and even how to turn them so that they would not splinter or warp. There were a thousand disputed questions about arms and armour, all of which had to be understood. Just outside Sir Ector's castle there was a jousting field for tournaments, although there had been no tournaments in it since Kay was born.

It was a green meadow, kept short, with a broad grassy bank raised round it on which pavilions could be erected. There was an old wooden grandstand at one side, lifted on stilts for the ladies. At present the field was only used as a practice-ground for tilting, so a quintain had been erected at one end and a ring at the other. The quintain was a wooden saracen on a pole.

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He was painted with a bright blue face and red beard and glaring eyes. He had a shield in his left hand and a flat wooden sword in his right. If you hit him in the middle of his forehead all was well, but if your lance struck him on the shield or on any part to left or right of the middle line, then he spun round with great rapidity, and usually caught you a wallop with his sword as you galloped by, ducking.

His paint was somewhat scratched and the wood picked up over his right eye. The ring was just an ordinary iron ring tied to a kind of gallows by a thread. If you managed to put your point through the ring, the thread broke, and you could canter off proudly with the ring round your spear. The day was cooler than it had been for some time, for the autumn was almost within sight, and the two boys were in the tilting yard with the master armourer and Merlyn. The master armourer, or sergeant-at-arms, was a stiff, pale, bouncy gentleman with waxed moustaches.

He always marched about with his chest stuck out like a pouter pigeon, and he called out "On the word One—" on every possible occasion. He took great pains to keep his stomach in, and often tripped over his feet because he could not see them over his chest. He was generally making his muscles ripple, which annoyed Merlyn. Wart lay beside Merlyn in the shade of the grandstand and scratched himself for harvest bugs. The saw-like sickles had only lately been put away, and the wheat stood in stooks of eight among the tall stubble of those times.

The Wart still itched. He was also sore about the shoulders and had a burning ear, from making bosh shots at the quintain—for, of course, practice tilting was done without armour. Wart was pleased that it was Kay's turn to go through it now and he lay drowsily in the shade, snoozing, scratching, twitching like a dog and partly attending to the fun. Merlyn, sitting with his back to all the athleticism, was practising a spell which he had forgotten.

It was a spell to make the sergeant's moustaches uncurl, but at present it only uncurled one of them, and the sergeant had not noticed it. He absent-mindedly curled it up again every time Merlyn did the spell, and Merlyn said, "Drat it! Once he made the sergeant's ears flap by mistake, and the latter gave a startled look at the sky.

From far off at the other side of the tilting ground the sergeant's voice came floating on the still air. Has you were. The spear should be 'eld between the thumb and forefinger of the right 'and, with the shield in line with the seam of the trahser leg It makes me tired. Why, I believe Sir Ector would have been gladder to get a by-our-lady tilting blue for your tutor, that swings himself along on his knuckles like an anthropoid ape, rather than a magician of known probity and international reputation with first-class honours from every European university.

The trouble with the Norman Aristocracy is that they are games-mad, that is what it is, games-mad. He broke off indignantly and deliberately made the sergeant's ears flap slowly twice, in unison. His inspection had shown him that his pupil was trying not to cry, and if he spoke in a kind voice he would break down and do it. Merlyn's trick had worked and he no longer wanted to weep: he wanted to kick Merlyn.

They will knight Kay, and I shall be his squire. Merlyn's back was turned again, but his eyes were bright behind his spectacles. The Wart burst out with all his thoughts aloud. And I should have hoved at a well or a ford or something and made all true knights that came that way to joust with me for the honour of their ladies, and I should have spared them all after I had given them a great fall. And I should live out of doors all the year round in a pavilion, and never do anything but joust and go on quests and bear away the prize at tournaments, and I should not ever tell anybody my name.

Oh, won't you please do it? He had a weakness for this gentleman since their strange encounter in the Forest. Merlyn said, "That will do very well. Put your hands to your sides and relax your muscles. Cabricias arci thuram, catalamus, singulariter, nominativa, haec musa. Shut your eyes and keep them shut. Bonus, Bona, Bonum. Here we go. Deus Sanctus, est-ne oratio Latinas? Etiam, oui, quare? Quai substantive et adjectivum concordat in generi, numerum et casus.

Here we are. While this incantation was going on, the patient felt some queer sensations. First he could hear the sergeant calling out to Kay, "Nah, then, nah then, keep the 'eels dahn and swing the body from the 'ips. Then there was nothing but a loud rotating roaring and hissing noise which rose to such a tornado that he felt that he could not stand it any more. Finally there was utter silence and Merlyn saying, "Here we are.

He opened his eyes just at the moment when one would have heard the invisible stick hitting the ground. Did you manage to catch the Beast? Oh, do come here, you brachet, and leave that bush alone. Naughty, naughty! She runs riot, you know, what. Very keen on rabbits. I tell you there's nothing in it, you beastly dog. Leave it, leave it! Oh, do come to heel, like I tell you. At this the dog put a cock pheasant out of the bush, which rocketed off with a tremendous clatter, and the dog became so excited that it ran round its master three or four times at the end of its rope, panting hoarsely as if it had asthma.

King Pellinore's horse stood patiently while the rope was wound round its legs, and Merlyn and the Wart had to catch the brachet and unwind it before the conversation could go on. Won't you introduce me to your friend, what? In fact I always like to meet anybody. It passes the time away, what, on a quest. At this the King trembled very much, opened and shut his visor several times, coughed, wove his reins into a knot, exclaimed, "I beg your pardon?

He is my best friend, your majesty, and in any case he generally gets his spells muddled up. How small the world is, is it not? Sir Grummore Grummursum is on the way to challenge you to a joust. Sir Grummore Grummursum was cantering up the clearing in full panoply of war. Instead of his ordinary helmet with a visor he was wearing the proper tilting-helm, which looked like a large coal-scuttle, and as he cantered he clanged.

Follow-up, follow-up, follow-up, follow-up, follow-up Till the shield ring again and again With the clanks of the clanky true men. That was when they had the new handicaps. And who's that chap in the comic hat? Sir Grummore looked at Merlyn—magicians were considered rather middle-class by the true jousting set in those days—and said distantly, "Ah, a magician. They all three had to help him on eventually, for, what with the unscrewing of screws and the easing of nuts and bolts which the King had clumsily set on the wrong thread when getting up in a hurry that morning, it was quite a feat of engineering to get him out of his helmet and into his helm.

The helm was an enormous thing like an oil drum, padded inside with two thicknesses of leather and three inches of straw. As soon as they were ready, the two knights stationed themselves at each end of the clearing and then advanced to meet in the middle. For no knight ne dreadeth for to speak his name openly, but for some reason of shame. Yes, so it should, of course. Then thou shalt stay and joust with me, false knight. Without further words, the two gentlemen retreated to the opposite ends of the clearing, fewtered their spears, and prepared to hurtle together in the preliminary charge.

They climbed up the big beech, which had easy branches sticking out in all directions, and the Wart stationed himself toward the end of a smooth bough about fifteen feet up, where he could get a good view. Nothing is so comfortable to sit in as a beech. To be able to picture the terrible battle which now took place, there is one thing which ought to be known.

A knight in his full armour of those days, or at any rate during the heaviest days of armour, was generally carrying as much or more than his own weight in metal. He often weighed no less than twenty-two stone, and sometimes as much as twenty-five. This meant that his horse had to be a slow and enormous weight-carrier, like the farm horse of today, and that his own movements were so hampered by his burden of iron and padding that they were toned down into slow motion, as on the cinema. Slowly and majestically, the ponderous horses lumbered into a walk.

The spears, which had been pointing in the air, bowed to a horizontal line and pointed at each other. King Pellinore and Sir Grummore could be seen to be thumping their horses' sides with their heels for all they were worth, and in a few minutes the splendid animals had shambled into an earth-shaking imitation of a trot. Clank, rumble, thump-thump went the horses, and now the two knights were flapping their elbows and legs in unison, showing a good deal of daylight at their seats. There was a change in tempo, and Sir Grummore's horse could be definitely seen to be cantering.

In another minute King Pellinore's was doing so too. It was a terrible spectacle. With a blood-curdling beat of iron hoofs the mighty equestrians came together. Their spears wavered for a moment within a few inches of each other's helms—each had chosen the difficult point-stroke—and then they were galloping off in opposite directions. Sir Grummore drove his spear deep into the beech tree where they were sitting, and stopped dead. King Pellinore, who had been run away with, vanished altogether behind his back. There was a long pause, while the complicated stations of the two knights readjusted themselves, and then King Pellinore was at the opposite end from that at which he had started, while Sir Grummore faced him from his original position.

But the two mounts were patiently blundering together, and the two knights had simultaneously decided on the sweeping stroke. Each held his spear at right angles toward the left, and, before the Wart could say anything further, there was a terrific yet melodious thump. The two horses pulled themselves up, their duty done, and began resignedly to eat the sward. King Pellinore and Sir Grummore sat looking straight before them, each with the other's spear clasped hopefully under his arm. With this they drew their swords and rushed together with such ferocity that each, after dealing the other a dint on the helm, sat down suddenly backwards.

The knights had now lost their tempers and the battle was joined in earnest. It did not matter much, however, for they were so encased in metal that they could not do each other much damage. It took them so long to get up, and the dealing of a blow when you weighed the eighth part of a ton was such a cumbrous business, that every stage of the contest could be marked and pondered. In the first stage King Pellinore and Sir Grummore stood opposite each other for about half an hour, and walloped each other on the helm.

There was only opportunity for one blow at a time, so they more or less took it in turns, King Pellinore striking while Sir Grummore was recovering, and vice versa. At first, if either of them dropped his sword or got it stuck in the ground, the other put in two or three extra blows while he was patiently fumbling for it or trying to tug it out. Later, they fell into the rhythm of the thing more perfectly, like the toy mechanical people who saw wood on Christmas trees.

Eventually the exercise and the monotony restored their good humour and they began to get bored. The second stage was introduced as a change, by common consent. Sir Grummore stumped off to one end of the clearing, while King Pellinore plodded off to the other. Then they turned round and swayed backward and forward once or twice, in order to get their weight on their toes.

When they leaned forward they had to run forward, to keep up with their weight, and if they leaned too far backward they fell down. So even walking was complicated. When they had got their weight properly distributed in front of them, so that they were just off their balance, each broke into a trot to keep up with himself. They hurtled together as it had been two boars. They met in the middle, breast to breast, with a noise of shipwreck and great bells tolling, and both, bouncing off, fell breathless on their backs.

They lay thus for a few minutes, panting. Then they slowly began to heave themselves to their feet, and it was obvious that they had lost their tempers once again. King Pellinore had not only lost his temper but he seemed to have been a bit astonished by the impact. He got up facing the wrong way, and could not find Sir Grummore. There was some excuse for this, since he had only a slit to peep through—and that was three inches away from his eye owing to the padding of straw—but he looked muddled as well.

Perhaps he had broken his spectacles. Sir Grummore was quick to seize his advantage. King Pellinore turned round morosely, but his opponent had been too quick for him. He had ambled round so that he was still behind the King, and now gave him another terrific blow in the same place. The poor King turned himself round as nimbly as possible, but Sir Grummore had given him the slip again. What with the preliminary crash, the repeated blows on the back of his head, and the puzzling nature of his opponent, King Pellinore could now be seen to be visibly troubled in his brains.

He swayed backward and forward under the hail of blows which were administered, and feebly wagged his arms. Sir Grummore favoured him with another whack and said, "If you don't say Pax, I shall cut your head off. Then, just as Sir Grummore was relaxing with the fruits of victory, he swung round upon him, shouted "Non! King Pellinore hurriedly sat on his victim's chest, thus increasing the weight upon him to a quarter of a ton and making it quite impossible for him to move, and began to undo Sir Grummore's helm.

By this time Sir Grummore's helm was unlaced and they could see his bare head glaring at King Pellinore, quite purple in the face. I do think you are a cad not to yield. You know very well I can't cut your head off. I won't be called a cheat for anybody. They stood up and fumbled together with the helm, hissing, "No, I'm not"—"Yes, you are," until it was safely on.

Then they retreated to opposite ends of the clearing, got their weight upon their toes, and came rumbling and thundering together like two runaway trams. Unfortunately they were now so cross that they had both ceased to be vigilant, and in the fury of the moment they missed each other altogether. The momentum of their armour was too great for them to stop till they had passed each other handsomely, and then they manoeuvred about in such a manner that neither happened to come within the other's range of vision.

It was funny watching them, because King Pellinore, having already been caught from behind once, was continually spinning round to look behind him, and Sir Grummore, having used the stratagem himself, was doing the same thing. Thus they wandered for some five minutes, standing still, listening, clanking, crouching, creeping, peering, walking on tiptoe, and occasionally making a chance swipe behind their backs. Once they were standing within a few feet of each other, back to back, only to stalk off in opposite directions with infinite precaution, and once King Pellinore did hit Sir Grummore with one of his back strokes, but they both immediately spun round so often that they became giddy and mislaid each other afresh.

After five minutes Sir Grummore said, "All right, Pellinore. It is no use hidin'. I can see where you are. With this they summoned all their energies together for one decisive encounter, leaned forward, lowered their heads like two billy-goats, and positively sprinted together for the final blow. Alas, their aim was poor. Although he is discouraged from drawing early in his life because adults cannot understand his drawings, the narrator illustrates his own story and makes several drawings for the little prince. After the little prince departs, the narrator feels both refreshed and saddened.

Read an in-depth analysis of The Rose. Read an in-depth analysis of The Fox. They can squeeze whole planets to pieces with their roots. Although baobabs have no malicious opinions or intentions, they represent the grave danger that can befall people who are too lazy or indifferent to keep a wary eye on the world around them. He is able to command people to do only what they already would do.

The vain man is lonely and craves admiration from all who pass by. However, only by being alone is he assured of being the richest and best-looking man on his planet. The drunkard is a sad figure, but he is also foolish because he drinks to forget that he is ashamed of drinking. Too busy even to greet his visitor, the businessman owns all the stars. Yet he cannot remember what they are called and contributes nothing to them. Although the little prince comments on the oddity of the grown-ups he meets, the businessman is the only character the prince actively chastises.

Of all the adults the little prince encounters before reaching Earth, the lamplighter is the only one the prince thinks he could befriend. Although the geographer is apparently well-read, he refuses to learn about his own planet, saying it is a job for explorers. He recommends that the little prince visit Earth, and his comments on the ephemeral nature of flowers reveal to the prince that his own flower will not last forever.

He has more perspective on life than the unhappy, thoughtless passengers his trains ferry.

For Kings and Planets: A Novel For Kings and Planets: A Novel
For Kings and Planets: A Novel For Kings and Planets: A Novel
For Kings and Planets: A Novel For Kings and Planets: A Novel
For Kings and Planets: A Novel For Kings and Planets: A Novel
For Kings and Planets: A Novel For Kings and Planets: A Novel
For Kings and Planets: A Novel For Kings and Planets: A Novel
For Kings and Planets: A Novel For Kings and Planets: A Novel
For Kings and Planets: A Novel For Kings and Planets: A Novel
For Kings and Planets: A Novel

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